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It’s something I still do on a daily basis for work, so 100 percent, it’s linked. Given that your career in the music industry began with a gig with Spotify, do you consider there to be a connection between your previous playlisting work and music supervision?ġ00 percent. Below, Elwis unpacks her process and what role playlisting plays in her job as a music supervisor.
#I may destroy you music tv#
Since graduation, she’s programmed the soundtracks for The Duchess, This Way Up, Afterlife, and other films and TV projects through her work with Air-Edel, but I May Destroy You stands out as a particularly challenging, and compelling, endeavor: the show had no score, which gave Elwis and Biffa ample opportunities to draw from Coel’s rich source material and support the story with a soundtrack that both sounded like a perfect fit for Arabella’s AirPods and a vehicle for her story. The search for the right tune has been a constant focus for Elwis going back to her college days: while studying at the University of Edinburgh, she got her first music gig when she signed on to be the Spotify brand manager at the University of Edinburgh, which involved curating playlists for events on campus and working sponsored events.
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It was also rightfully praised for its soundtrack, which worked hits from Nicki Minaj, Daft Punk, Janelle Monáe, Rosalía, and more into a mix that also featured the modern jazz of English acts like The Comet Is Coming and Sons of Kemet.Ĭoel has an incredible ear, and many of the songs were written into the script - Arabella takes on Minaj’s “Truffle Butter” at karaoke in the series premiere - but the ones that weren’t came from Ciara Elwis and Matt Biffa, a pair of savvy music supervisors from London’s Air-Edel.
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When Michaela Coel’s I May Destroy You enthralled and devastated viewers in the summer of 2020, the series was hailed for its phenomenal performances (especially the star-turn of Coel, the series’ creator, co-director, and lead actress) and the vibrant world it built for Coel’s character, Arabella, a writer who survives and processes a traumatic sexual assault in East London. The Spotify alum explains her pursuit of the perfect soundtrack for ‘I May Destroy You’ and the connections between playlists and the songs that help tell your favorite stories on screen. Guest post by Hilary Hughes of Spotify for Artists